تیپ‌های شخصیتی زنان در تاریخ بیهقی بر اساس دیدگاه انیه‌گرام

Typology of women in Beyhaqi's history emphasizes on nine classificationsn of the Enneagram. Beyhaghi history is an indication of a part of the court atmosphere in the fifth century. The eleven-year-long rulling period of Masoud's is the full extent of this text, and consequently, other heroes have also entered the arena of Beyhaqi's history in order to show the aspect of creating space, characterizing and expressing Beyhaqi's theory of government and literary tendency. The women of this text often reveal their types in connection with the court and courtiers. The purpose of this descriptive-analytical essay, assuming the realism of Beyhaqi's writing and narration, is the typology of women in Beyhaqi's history, with emphasis on the nine classification of the Enneagram. The findings of this study have indicated that Beyhaghi, having noticed the limitations of the subject and writing for the government, refused to fully address the identity and personality of women and only included five romantic categories of the sad, the boss, the perfectionist, the helper, and the observer. Precisely, these were associated with the historical events or court affairs. To be locanic, he has introduced that they correspond to Enneagram personality types. This is due to the fact that women in the Ghaznavid period have a limited, faint, and transitory presence in social arenas. Only women who were connected with the court and were present in the upbringing of elders, or those who were wise, influenced on history, entertainment and political conspiracies were introduced. Beyhaqi's rejection and acceptance should be understood from these passing references.
Introduction:
Today, the association of psychology and literature represents the connection between two systems of thought, which have come closer to each other with the linguistic structure of the unconscious and with the psychologicalization of the text. Besides, this has made it possible to achieve better results for the benefit of the work and the author, as with the psychological analysis of a part of the meaning of the text. The text, as well as an angle of the author's personality is discovered and the ambiguity of the work is resolved.
Undoubtedly, history and historical texts are not novels and stories, but any narration of reality can be considered an independent story that reflects only parts of that reality, while the approach of literature to historical texts is more It relies on linguistic, structural, and semantic aspects and to some extent distances itself from the analysis of the historical aspects of the text. A historical realist is an objective picture of the social perspective and the author's perception of life because the author has a certain thought about life and the way he deals with life draws his philosophy of life. He has a special feeling and understanding of life and this feeling is intimately related to his thoughts. (Ref: Yonsi, 2015: 28, Razi, 2013: 6) The author often tries to include that thought, attitude, and philosophy of his life in the heart of his text and work.
 In general, a historical incident and a realistic story are a combination of its constituent elements, and for that to be understood, its constituent elements must be analyzed. Inevitably, the study of women's personality types and their identity and status, which is one of the important components of historical and fictional works and sometimes has taken an important part of history and fiction, indicates the presence or absence of personality types. Having in mind that distinctive types of women exist in the society, how the author and people of his time viewed women will be of assistance in recognizing this class as well as the culture and literature of Iran during Beyhaghi era. The research questions for this study are;
- Which of the personality types of Enye Gram's classification are there in the women of Bayhaghi history?
- What is the reason for paying special attention to certain types of women and not mentioning other types and groups?
Research background
Abedi (2014) considered the predominance of false types of religious figures and the abandonment of true religious individuals in the contemporary novel to be influenced by the anti-religious attitude of the West. Haj-Babaei (2014), unlike researchers such as Khaleghi Mutalq, carries the idea that Beyhaqi's history does not have any missing or insignificant parts, and that the existing part is the entire work by Beyhaqi. He only had a plan to write the history of Mahmud and Masoud's successors, which he did not complete due to unknown reasons.  Rezaei et al. (2016) defined the story of the king and the concubine of Masnavi as the ruler and the chief type. The fact that this article is based on the Enyegram theory and the typology of women in the history of Beyhaghi is the point of distinction between this article and the aforementioned researches. No independent research similar to the title of this thesis was found.
Methodology:
The method of this research is descriptive-analytical and its purpose is to compare different types of women in the history of Beyhaghi with Enyegram's point of view. It should be stated that the history of Beyhaqi cannot represent the full caliber of women of the Beyhaqi era due to the fact that it hasn’t considered the issue of women as a central issue and indicates the temporary plan of their actions and behaviors. In addition to that, the text has been written in the court and it is the reflection of historical, court, and governmental issues. However, it is an example and provides a pattern in this regard. Indeed, Beyhaghi finds it important to influence his audience and readers (as he mentioned in his previous stories, including the story of Zuliminin). To that end, as a prominent writer, he used the methods of characterization and literary eloquence. This way, he reveals his point of view towards women and their types. For example, using women as a tool for spying or discovering secrets and truths through their behavior and words, or inducing special ideas with their help to the directors of the history theater. These are a part of the function that women are responsible for due to their type and personality.
Anyeh Gram's personality typology
One of the theories of personality typology from the perspective of psychology, which deals more precisely with personalities and personality types, is the Enneagram method (Gurdjieff). Enneagram is a structure that a Greek-Russian researcher named Ivanovich Gurdjieff proposed and provided a classification of personality types through that. The classified personality types as follows; 1- Perfectionist 2- Helper and giver 3- Successful and actor 4- Sad romantic 5- Observer and thoughtful 6- Loyal and loyal 7- Fun-loving 8- Leader 9- Mediator. Indeed, it is possible for people to have two or more class characteristics like being both perfectionists and outspoken and have the characteristics of a boss.
Character typology of historical women of Beyhaqi based on the Enneagram classification
It should be noted that the female heroes in the history of Beyhaqi only appear in some scenes and stories and, then, they fade away. It is necessary to trace their character from this small presence.

Kamal Talab and Rayes brigade
Pious and pious type
Women who are conspirators and women who compromise and deal or sad romantic type
Women help type
Women are observant and thoughtful
Deceived women.

Conclusion:
Beyhaqi's literary tendency is the major reason for his work to have both literary and historical aspects. However, due to his presence in the court, in writing his history, Beyhaqi has focused more on the state of the court and the courtiers than on the people, and has refrained from comprehensive reporting on women who  have a plethora around half of the entire people. However, in his background, he talked about women of different types who were somehow related to the court and rulers. Based on Enyegram's point of view, it was found that the type of Rayes and the wise and brave Parsa type were more important to Beyhaqi than other types, and it seems that he found his ideal woman in the presence of women such as Hasnak's mother, Abdullah Zubair's mother, Jedda Abdul Ghafar, Bunser's mother. Mishkan has found Masoud's aunt Harrah Khatli's view and political work to be very important and effective during the rule of force and occupation. The brief and useful history of Beyhaqi is also an inspiration for the absence of types such as entertainers and actors in it. This historicity and design of cause and effect relationships and brevity has caused the character design of women to have less full descriptions, defining conversations, monologues revealing their identity, and diversity of tones and speech delivery from them. Despite that, Search and Run has been given some effort to create space, describe the time and place related to women, and outline the causes of the subject and women's sub-stories. The description of the celebrations and weddings of the women of the reconciliation or the sad romantic type due to the presence of Masoud or other government officials is often performed by the reports of the Ghaznavids.