As a literary work, a novel is imitation of actual life, it is as important as the conversation in the actual life, but for Bakhtin, the issue is beyond the conversations in the stories. He takes every literary work in two levels to be studied. On one hand, every literary work is a response to its previous works, it also expects the future works, on the other hand, a novel is the field where the character’s sayings reveal minus this fact whether it is for or against the writer, and therefore, there is polyphony. The present article tries to examine the different kinds of dialogues in the novel of Shab Cheragh by Jamal Mirsadeghi which are classified from the points of view of Bakhtin, as well as polyphony. Novel as a literary work, is an imitation of the real life, and it is one of the most outstanding indices and the most important elements of novel. The results show that the frequency of dialogue is different due to the plot, the subject of the novel, and it is the most application dialogues introduces the characters. Also the novel of Shab Cheragh uses the possibilities of dialogism in the Polyphonic novel.
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