Abstract
Although Dovlat Abadi tends towards Romanticism and symbolism in the second and third periods of his story writing life respectively, as whole, the dominant element of the selection of fictional realities in his entire literary works is based on realism school. In his style, fictional realities always begin with inspirations taken from documented social realities or personal experiences, and in the general framework of the narrative also the main background of the story is based on historic, political, and social realities. As whole, stories the foundations of adventures, through a complicated and thoughtful process, are recreated in the mind and imagination of the writer and are turned into an independent reality which is very different from whole the writers' heard, seen ,and experienced realities. In this article, the modality through which the realities and documented social experiences have affected the novels of Dolat Abadi
(2013). Objective and subjective realities in Kalidar, The empty place of Soluch and The Passed Time Novels. Research on Fictional Literature, 2(4), 79-98.
MLA
. "Objective and subjective realities in Kalidar, The empty place of Soluch and The Passed Time Novels". Research on Fictional Literature, 2, 4, 2013, 79-98.
HARVARD
(2013). 'Objective and subjective realities in Kalidar, The empty place of Soluch and The Passed Time Novels', Research on Fictional Literature, 2(4), pp. 79-98.
VANCOUVER
Objective and subjective realities in Kalidar, The empty place of Soluch and The Passed Time Novels. Research on Fictional Literature, 2013; 2(4): 79-98.