Methods of storytelling and allegory in the poetic works of Attar Neyshabouri

Document Type : Original Article

Authors

1 Professor in Persian Language and Literature, Faculty of Literature and Humanities, Trbiat Modares University, Tehran, Iran.

2 Assistant Professor, Ahl al-Bayt International University (AS),Tehran, Iran.

Abstract

Storytelling and allegory are two important and instructive tools for describing issues that are difficult to express in an ordinary language orth ones the audience cannot understand properly. Having that in mind, poets and writers throughout history have used these two tools to achieve their goals. Attar Neyshabouri is a great example in this respect who, as a mystic poet, has used stories and allegories in his work with the aim of presenting mystical concepts to the audience. In the present study, Attar's procedure of using around two thousand stories and allegories in various educational and moral, romantic and historical subjects in expressing his mystical thoughts have been studied, and it has been determined that he, as one of the figures of mystical literature, conveys his message to the audience in a tangible and simple way, and at the end of each story, expresses what he has learnt from the story. This resarch, using the descriptive-analytical procedure, investigates the role of story in explaining mystical issues and, after the typology of allegorical stories, the nine methods in storytelling and narration used by Attar are being explained.

Keywords

Main Subjects


Ashrafzadeh, R. (2012) "Is the story of righteous woman by Attar Iranian?". Persian Language and Literature Quarterly of Mashhad Azad University, Winter, No. 32, pp. 40-55.(in Persian)
Pourmand, H. A; Rozbahani, R. (2017) "Analysis of the divine archetype - Attar's letter (the story of the righteous woman) based on Jung's theories". Poetry Research, Spring, No. 35, pp. 23-44. .(in Persian)
Poornamdarian, T. (1993) Meeting Simorgh, third edition. Tehran: Research Institute of Humanities and Cultural Studies.(in Persian)
Tsuji, A.L. (2007) One thousand and one nights. Tehran: Hermes.(in Persian)
Hable-Rudi. M. A. (1887) Jame-Al-Tamthil. Corrected by Hassan Zulfiqari. Tehran: Moein.(in Persian)
Hallaj, H. M. (1926). Bombay Diwan: Alavi Press. (in Persian)
Khaneh-Beigi, S; Jamali, Sh. (2013) "Investigation of common allegories between Attar's Masnavis and Moulawi's spiritual Masnavis". Mysticism in Persian literature, Vol. 19, Summer, pp. 61-86. (in Persian)
Al-Kharkooshi, A. A. M. (2006) The cultivation of secrets in the principles of Sufism. Beirut: Dar al-Katb al-Alamiya. (in Persian)
Dagaigh-e Marozi, Shams-al-Din Mohammad. (1345) Rahat-al Arvah; Bakhtiarnameh Corrected by Zabihullah Safa. Tehran: University of Tehran. (in Persian)
Dolatshah S. (1900) Tazkar-al Shoara Edited by Edward Brown. London: Brill. (in Persian)
Zulfiqari, H. (2012) One hundred Persian love poems. Tehran: Charkh.
(in Persian)
Zamani, K. (1993) Comprehensive description of the spiritual masnavi, first book. Tehran: Information. (in Persian)
Al-Sarraj, Abu-al Nasr. (1914) Al-Lama fi al-Susuf. Research by Nicholson, Reynolds Allen. Tehran: Jahan. (in Persian)
Shafii Kadkani, M. R. (2009) Elahi Name. Introduction. Tehran: Sokhan. (in Persian)
Sana'ti-nia, F. (1990) Sources of stories and parables of Masnavis of Attar. Tehran: Zovar. (in Persian)
Abbasi, H. (2008) "Mystic stories and their role in Sufi prose discourse". Journal of Humanities, No. 58: pp. 123-144. (in Persian)
Attar Neishaburi, F. (1979) Mukhtarnameh (a collection of quatrains), correction and introduction by Mohammadreza Shafiikdekani. Tehran: Toos. (in Persian)
Attar Neishaburi, F. (2005) Mantegh-al Tair. Proofreading and introduction by Mohammadreza Shafiikdekani. Tehran: Sokhn. (in Persian)
Attar Neishaburi, F. (2005) Mantegh-al Tair. Proofreading and introduction by Mohammadreza Shafiikdekani. Tehran: Sokhan. (in Persian)
Attar Neishaburi, F. (2007) Tragedy. Proofreading and introduction by Mohammadreza Shafiikdekani. Tehran: Sokhan. (in Persian)
Attar Neishaburi, F. (2008) Secret letter. Proofreading and introduction by Mohammadreza Shafiikdekani. Tehran: Sokhan. (in Persian)
Attar Neishaburi, F. (2005) Mantegh-al Tair. Proofreading and introduction by Mohammadreza Shafiikdekani. Tehran: Sokhan. (in Persian)
Attar Neishaburi, F. (2007) Tragedy. Proofreading and introduction by Mohammadreza Shafiikdekani. Tehran: Sokhan. (in Persian)
Attar Neishaburi, F. (2008) Secret letter. Proofreading and introduction by Mohammadreza Shafiikdekani. Tehran: Sokhan. (in Persian)
Attar Neishaburi, F. (2009) Elahinamah. Proofreading and introduction by Mohammadreza Shafiikdekani. Tehran: Sokhan. (in Persian)
Attar Nishaburi, F. (1982) Asrarnameh. Correction: Seyed Sadegh Goharin. Tehran: Safi Alisha. (in Persian)
Attar Nishaburi; F. (1989) Divan, ch 5. Taqi Tafzali's correction. Tehran: Scientific/Cultural. (in Persian)
Aufi, S. M. (1973) Collections of anecdotes and narratives. With correction and introduction by Amir Bano Bano Karimi. Tehran: Iran Culture Foundation. (in Persian)
Fatuhi, M. (2008) Image rhetoric. Tehran: Sokhan. (in Persian)
Gravand, A. (2013) "Syllogism of Ghazaliat-e Attar". Literary Techniques, Volume 6, Number 1, Summer, pp. 114-97. (in Persian)
Muhammad bin Manwar. (2007) Secrets of Al-Tawheed in the authority of Al-Shaykh Abi Said. With the correction and introduction of Mohammad Reza Shafi'i Kadkani. Tehran: Aghaz. (in Persian)
Mowlavi, J. M. (2011) Masnavi Ma'anavi, first edition. With an introduction and explanations by Ahmad Khatami. Tehran: Academic Publishing Center. (in Persian)
Moayed, H. (1998) The story of the pious woman of Attar, a celebration of the teacher Zabihullah Safa, by the efforts of Seyyed Mohammad Torabi. Tehran: Shahab Publishing. (in Persian)
Yousefi, G. (1984) bright souls. Tehran: Yazdani. (in Persian)