Confrontation of insider and other in Reza Ghasemi's migration novels based on Lutman's model (The CHahe Babylon, Verdi ke bareha mikhannd)

Document Type : Original Article

Authors

1 PHD student of Persian Language and Literature, Persian literature group, Faculty of Literature and Humanities, Razi University, Kermanshah, Iran

2 Associate professor of Persian of Language and Literature, Persian literature group, Faculty of Literature and Humanities, Razi University, Kermanshah, Iran.

3 Assistant Professor of Persian of Language and Literature, Persian literature group, Faculty of Literature and Humanities, Razi University, Kermanshah, Iran

4 Associate Professor of Persian of Language and Literature, Persian literature group, Faculty of Literature and Humanities, Razi University, Kermanshah, Iran.

Abstract

Cultures have heterogeneous and contradictory demands on each other in the model of Lutman's own and another's. Immigrants have a confrontational or interactive or accepting approach to the "unfamiliar" culture in the face of these approaches. Lutman explains the cultural interior and identity of the immigrant or immigrant writer and categorizes its codes, which are now commonly called Lutman's role models. The research on the migration novels of Reza Ghasemi (The Babylonian well and the Verdi sung by the Lambs) is based on Lutman's cultural semiotics, using concepts such as astrology (structural inequality, border, center and periphery), cultural duality (marginalization) and cultural shocks. The result of the research shows that cultural codes and symbols on the border, structural inequality and the center indicate the relationship between different texts and spaces, which has caused the defined border to prevent the intersection of one with the other. In fact, Ghasemi was able to apply the necessary filtering and protect his own culture within the border from "foreign / other" interference. In general, Reza Ghasemi has preserved his own culture in dealing with another culture despite the contradictions and contrasts of his own culture and the other, and has kept the other outside the boundaries of the components of his own culture, although this view is not absolute

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References

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